Thursday, September 16, 2010

New Artwork & "Enter The Dark" by Todd Miro

Two new panels from The Human Hourglass from page 18. Nothing crazy here, but I like these two in sequence.

Enter The Dark. Scary film. 18 minutes long, already going to be making it's premier at the Chicago Horror Fest and then showing at Thriller! Chiller! film fest in Grand Rapids, Michigan. Its funny and scary and messed up, as all good horror films are.

My good friend Todd Miro wrote and directed and its pretty cool. I'm one of the two lead actors and while I cringe every time that i open my mouth on screen, for exactly the same reason that we all hate hearing our own voices on answering machines, I don't think that we do a half bad job.

Some reviews:

- Brutal as Hell review:
… a fun little fright flick that effectively showcases Miro’s filmmaking and editing abilities.

- review:
Enter the Dark is a clever, scary, fun piece that delivers with a punch and a cool ending.

- All Things Horror review:
… Enter the Dark proves once again a good ghost story simply needs to put emphasis on the story and not flashy effects or big budgets in order to provide some fun and scares.

Todd and I will be attending the Chicago premier so if you're not doing anything on the 26th, come by and check out the film. We're playing right before the feature presentation at 9:15 or so, which may be like having your band open for Van Halen once. We'll see.

Check out the bad ass trailer here. Enjoy.

Wednesday, September 15, 2010

Doctor Who Lego - Two Great Tastes in One!

This is just pure awesomeness, and I have no idea who did this. but I love it. and I'm sharing.

Anyone who can send me that attribution, please do so that i can extend the proper art credit.

wow. Love it. Can't wait for more of Matt Smith's Doctor BTW.

Wednesday, September 01, 2010

Copyright, Greater Culture and the ever lovin' Business Model

Scott Kurtz of Plaver Vs Player, one of my favorite online comics BTW, relates an incident at the Harvey awards that is probably best described in his original post, so I'll only excerpt a bit here:

obviously the main point of this is not to call attention to the arguement between Waid and Aragones, both men that i have respect for, but to the larger picture: the notion of copywrite and its place in society. And the comic industry's refusal to embrace new forms of payment or potential business models.

Any anyone who has been reading this blog knows, I've been a proponent of the different busienss model for the longest time, in a large part because the old one isn't working. Much. At all.

How not working? Let me count the ways. Artists operating under feudal system that robbed them of the ability to profit off of their creations in the manner that artist under almost every other system are able to. Sales on pamphlets so low that the general malaise under which the book industry is suffering cannot be to blame for them. A business that simply eats its young and never gives back to more than a few individuals. Stan Lee will retire well. Jack Kirby did not. How is that equitable?

Waid's assertion that eventually copyright should wane, and that creations should open up to the general public, given taht he's a businessman is an interesting and bold one. His main idea of the file sharing genie being out of the bottle is right on the mark.

Look, the recording industry and movie industry haven't been able to stop file sharing with all their money and lawyers and resources, how the hell is the comic community going to do so? Just as i want to castigate the BBC for being stupid enough to not take my money so that i can watch Doctor Who when its been broadcast over in the UK, I want to thank them for making it available in America with only a 14 day delay. Just as the manga industry is getting tough on unlicensed scanlations, they also have to thank those scanlators for making a built in audience for them.

you can't go back. Marvel can't stop the kids from putting the Avengers comics on the scanners and uploading them. Perhaps it would be smart, life saving-ly smart, in fact, to embrace any new business model that would allow for revenue. Especially when new authors are bypassing the Direct Market in pretty much every possible way. Scholastic is marketing Bone and Amulet directly to the kids, kids that don't even know that comic shops exists. kids that don't have the monthly comic habit that those of us older folks do, and they're not missing a thing except our nostalgia.

Embrace micropayments, embrace original graphic novels, embrace marketing everywhere, and using new format to do so. Embrace digital markets as well with different platforms such as cell phones and tablets.

Do something. Because Waid is right. You can't stop it. And like holding back the tide from washing up on the beach, you'll die trying.