Showing posts with label radical comics. Show all posts
Showing posts with label radical comics. Show all posts

Tuesday, October 26, 2010

Yoakum Interview on Comic Book Resources

I'm showing up in the press a bit more these days, and here are a few links. Comic Book Resources did a mini-interview that appeared yesterday, along with the cover of The Human Hourglass, which them for including! When I was writing this story and thumbnailing it out in one 7 hour stretch on a plane flight from Paris to Chicago, I don't think that i would have imagined not only having it out int he world, but the cover showing up on CBR's site.

But that's why we create things. To get them out there.

Also a review of Time Bomb #1 & 2, which is the first one to note that I did ink on issue #1 and include me in the review, for which I thank them kindly. Its the first time that I've inked Gulacy in about 10 years outside of some sketches, so doing the work was fun. I'm enjoying the story as well. I have no idea how it all ends, so I'm waiting for issue #3 to show up so that i can find out the ending along with the rest of you.

And lastly, but by no means least, Enter The Dark, Todd Miro's killer short horror film that I co-star in, is up for three awards at the Dark Carnival Film Festival: Best Short, Best Editing and Best Supporting Actor (my co-lead, Rob Sandusky). We had a great California premier at Sacramento's Horror Fest with family and some of the crew in attendance as well, so we had someone to laugh at our jokes during the Q & A.

Wednesday, January 06, 2010

Whither the Fun?

Got hit by this one twice in the last couple days, the Comics Journal's quote of the day with Pat Boyette missing fun comics, and Jennifer De Guzman talking about a comic that perhaps should have been another Scott Pilgrim: Street Angel.

And I don't think, from her column, that Jennifer is having a lot of fun right now either.
...SLG began publishing the comic book series Street Angel by Jim Rugg and Brian Maruca, about a homeless twelve-year-old with extraordinary martial-arts skills that she uses to fight ninjas, pirates, rednecks—anyone that needs a butt-kicking.
Now, that sounds like a fun comic. You pull off the right balance on that story and you have a comic that can be enjoyed by a huge audience, male or female, young or old. Good ol' fashioned silliness.

I don't remember ever seeing it, but then, there are so many damn comics that it is easy for stuff to fall under the radar no matter how much it gets the press. If I have a hard time going and picking the thing up off the rack, and I do have a hard time with that since the LCS is somewhat small, then its just too damn easy to forget. I'm still missing a Rocketo trade and i LOVED that series. I'll try to get this one at WonderCon.

So that takes care of the fun comic, but more importantly are the questions that Jennifer is rhetorically asking herself about Street Angel these first days of 2010:

Why didn't hype translate into more orders and sales? Was it the quarterly schedule? A need for even more outreach to retailers? A need for outreach to a different audience? The book itself? Do retailers even look at advance hype from third sources when they place their orders? ... A project can give every indication of being wildly successful or a niche-audience sleeper and turn out to be just the opposite.

And those are great questions. Look, I feel for the publisher and retailer here: there are only so many square feet in a shop to display things, there are only so many dollars to put out there for product, and if you happen to have a few dollars left over for non-X-men/Batman product, how the hell do you decide which to order? And if you primary customer is the X-men/Batman person, do they care about Street Angel? probably not. So how do you get that customer?

I wouldn't want to have to go through the dreaded Previews catalog to decide what to order. There's just too much there. The reality is that there are a lot of good comics these days. If you were to only wander the aisles of the small press area of San diego, skipping Marvel and DC, you could walk home with an armful of fun, interesting, occassionally great little books. So I do wonder if the average comics retailers looks at 3rd party recommendations. They should, although I have to wonder. Travelling to San Diego last year I was seated directly behind an artist, and across from a retailer who said that this was likely to be her first time just walking the aisles in years. In reality, that should be a necessary function for just about all retailers to keep theirs eyes open for the next big thing, and yet the reality of manhours are that they're not likely to have that time.

I'll be looking for Street Angel. I could use some fun in my life.

And i'm working on a new project for Radical Comics. More later when I can say something....